Montreal’s own borne is back in the NIGHTMODE spotlight, making a swift return to the label with his second single of the year—and it hits like a freight train. Out June 6, “Hold Me Down” is a heavyweight statement from one of Canada’s sharpest low-end architects, reinforcing his reign over the 140 dubstep space with a masterclass in spatial tension and percussive precision.
Opening with a haunting organ progression and looping vocal hook, “Hold Me Down” lays the groundwork for a cinematic build steeped in UK dub roots. The calm doesn’t last—borne tears through the intro with a barrage of growling subs, chest-rattling basslines, and slicing percussion that locks into a minimalist yet devastating groove. It’s a slow-burn turned sledgehammer, pushing the boundaries of stripped-back sound design while channeling the raw emotion that defines his sonic identity.
This single follows the success of “Go Again,” his previous NIGHTMODE release that received coverage from Billboard, UKF, and EDM.com, along with spins from major tastemakers like Don Diablo, Curtis Jay, and Judge Jules. With bookings at Illfest, Shambhala, and Hulaween, borne is quickly carving out a reputation as one of Canada’s most forward-thinking bass artists—a producer whose work resonates as much with experimental circles as it does with late-night festival stages.
With editorial support stacking up across Spotify (Sub Low, Dubstep Don, UK Bass Music) and Apple Music (Breaking Dance, Heavy Hitters), borne is catching fire across the DSP ecosystem. Between Beatport chart placements and a spotlight on SoundCloud’s New Bass Heat series, he is carving out his own lane in the global bass movement.
“Hold Me Down” finds borne refining his signature style—a lean, sub-heavy sound built on tension, precision, and control. With each release, he’s moving with intention, solidifying a distinct voice in the 140 space that favors depth over flash.
“‘Hold Me Down’ is my take on the more stripped-down and flow heavy 140 dubstep tracks. I was inspired by OG Dubstep and wanted to put a soul feel in the intro to give a fresh take on a timeless style.”—borne
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