IMS 2018 | Day 2 Round Up & Highlights At The International Music Summit – Ibiza
The South African flag was waved on day two of IMS Ibiza with MEET TEAM BLACK COFFEE. From management to agent to Ibiza promoter, the team behind Hi Ibiza resident Black Coffee took to the stage,Lionel Marciano (Black Coffee International Manager, USA) and Amaru Da Costa (Black Coffee, African Manager, South Africa) lead the story of success of the DJ/Producer “a guy so ready to work, so committed, so disciplined, so reliable, with such great work ethic” The team explored his roots, the helping hand to his first DC10 gig from Seth Troxler and his vision for artists to own their own music, via their own platforms rather than labels, with Black Coffee (Artist, South Africa) stating “where/who are you marketing too when everybody is following me?”
One of the biggest audiences of the day was undoubtedly awarded to viral sensation BRADLEY GUNN RAVER who used the spotlight as a candid opportunity to share how he has broken down the barriers of living with Asperger’s Syndrome through his love of electronic music. Bradley’s keynote with Nick DeCosemo (Mixmag, Global Editorial Director, UK) was streamed live across Facebook to his rapidly growing fanbase that have closely followed his journey to fame. “I’ve got this saying ‘Love Life and Rave’. I live it, it simply means what it says, to go out and love your life and rave” he proudly declared before giving the crowd a short preview of his new track, finishing his inspiring keynote to a standing ovation from the room.
Moving onto one of the most principal topics of the day, Fiona Measham (Durham University Professor of Criminology/The Loop Director, UK)
, Freddie Fellowes (Secret Garden Party, Promoter, UK) and
Jon Drape (Broadwick Live, Group Production Director, UK) discussed the vital importance of drug testing within our dance community in THE CASE FOR: DRUG TESTING AT EVENTS. Hosted by moderatorMark Lawrence (AFEM: Association for Electronic Music, CEO, UK) the clear conclusive message was that The Loop advocated a harm reduction service that is vital in the current climate of rave culture if we are to avoid further fatalities. Measham commented, “In the UK we have the highest drug fatality rate in Europe” as zero tolerance policy has proved ineffective over the years. “We need to readdress our approach to drugs,” said Fellowes “human beings have been taking drugs as long as they’ve been human beings. What we need to is actually encourage a more healthy relationship with drugs.”
Blaise James (Remedy State, Co-Founder, USA) and Ben Turner (Remedy State, Co-Founder, USA) reflected deeply on the success of the first REMEDY STATE retreat which took place immediately prior to IMS Ibiza, an essential space for music industry professionals to decompress and balance before the hectic summer work schedule begins. Turner commented “when we started IMS Ibiza 11 years ago we were talking about the validity of the DJ Mag Top 100, now we’re talking about anxiety, mental health and drug safety”, underpinning the importance and relevance of the new retreat.
GIVE IT AWAY OR MAKE IT PAY proved to divide opinion and provide exciting debate as the leading managers, label heads and representatives questioned if labels should fight to protect revenue or transform their businesses to maximise plays, in a world where purchase price is a thing of the past.; “Vinyl forged more of a community. It was a time when people spoke and created friendships over music”commented Dean Wilson (Seven20, CEO, USA) as the full spectrum of business models made the discussion alongside the various platforms of recorded music.
With an increase in festivals comes the need to find new locations as the electronic music industry seeks to accommodate pleasure seekers outside the confines of the club. This is a never-ending quest as event organisers struggle to put on parties in new and exciting locations – fighting political obstructions along the way whilst being sensitive to associated environmental impact of their events. IMS Ibiza today gathered some international promoters to discuss the topic more in EMERGING PARTY DESTINATIONS. “It got quite frustrating that we were growing artists and then losing them to bigger parties. A friend of mine mentioned Croatia and we started a new festival with The Warehouse Project, called Hideout. The venues were already there but in competition with each other. We walked in and said we will bring 5,000 people from the U.K and they were like…. Really?” observed Mark Newton (Broadwick Live, Director, UK) .
Young Guns Network, a meeting point for young, ambitious media and music professionals, provided a unique focus on the next generating making waves in our industry. In DISRUPTORS, NO RULES, moderated by Cherie Hu (Billboard/Forbes, Tech Columnist, USA), the showcase of impressive and inspiring talent including IMS x Mixmag Visionaires winner Inder Phull (KRPT, Founder/CEO, UK), Lauren Pavan (GRM Daily, COO, UK) and Mich Mellard (Sync Sync, Founder, UK) mused over the various ways company culture is currently breaking down the boundaries of tradition, with Pavan noting “Don’t overlook somebody’s opinion because of their job title.”. The discussion also covered the lack and need for more mentoring within electronic music and how the passion for the music we love can be continually nurtured via new innovative sources.
elrow’s Vicenc Marti (Elrow, President and Board Member, Spain) and Julien Lesaicherre (Workplace by Facebook, Director EMEA, UK) took to the stage to talk the crowd step by step through the various ways the new Workplace by Facebook social platform has transformed their communications both internally and externally and bought to life how the platform allows the creative, open minded ethos of the brand to collaborate across the entire global team.
Also on day 2 of IMS, Pierce Warnecke (Berklee College of Music, Assistant Professor, Spain) treated us to an audio/visual showcase in REAL-TIME VIDEO SYNTHESIS; the team behind one of the most unique and exciting of streaming platforms discussed the secrets behind the unique algorithm of the platform inSEQUENCING THE GENOME: HOW TO GET YOUR MUSIC HEARD ON PANDORA; Tim Heineke (I am Pop, Founder, Netherlands), one of the leading experts in Messenger discussed how to build new experiences on chat in MESSENGER/BOTS 101; and UK collecting society PRS FOR MUSICrepresented by Ashley Howard (PRS For Music, Dance Account Manager, UK) and AFEM’s Gregg Marshall shared insight on how our continued curiosity of music discovery can ensure rights are paid using music recognition technology.
Day two closed with 15 YEARS OF TOOLROOM RECORDS – INSPIRATION & INDEPENDENCE, where brothers Mark Knight (Artist, UK) and Stuart Knight (Toolroom, Managing Director, UK) reflected on building their hugely successful label whilst fiercely remaining independent, with Stuart noting “We don’t want to focus on being underground or commercial – how about credible?” with the panel closing with an invaluable A&R feedback session for the assembled delegates from Mark Knight and the Toolroom team.
