Mickelson’s If You Can’t Be Right, Be Loud.: Americana with a Razor’s Edge

There are albums that whisper their message, and then there are albums like If You Can’t Be Right, Be Loud. that demand to be heard. Mickelson’s latest release is a fierce yet intricate blend of folk-rock and post-punk, laced with politically charged storytelling and moments of unexpected humor.

From the get-go, “Amplify” grabs the listener with its electrifying energy, encapsulating the frustration and division that still permeates American society. It’s a song built for this era, fueled by sharp observations and a chorus that feels tailor-made for stadium chants. But Mickelson is far from one-note. The deeply personal “Glowstick” tackles depression with aching vulnerability, while “Two Flat Tires” offers an empathetic glimpse into the struggles of addiction. These songs hit hard, not just because of their themes, but because of Mickelson’s gift for melody and raw, emotive vocals.

Yet for all its weighty subject matter, If You Can’t Be Right, Be Loud. isn’t devoid of playfulness. “Small Town Scandal” is a tongue-in-cheek exploration of petty grievances in close-knit communities, and “Blue Is The Warmest Color” is as catchy as it is cutting. The inclusion of Colin Moulding from XTC on two tracks adds an extra layer of sonic brilliance, proving that Mickelson knows exactly how to enhance his already rich arrangements.

By producing, engineering, and performing much of the album himself, Mickelson demonstrates not just skill, but conviction. If You Can’t Be Right, Be Loud. isn’t just another album—it’s a battle cry wrapped in melody, one that deserves to be played at full volume.

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