If David Bowie and Stromae had a godchild raised on poetry and post-club solitude, they might sound a lot like Nathan Zanagar on La Grande Salle. This five-track EP doesn’t walk across genres — it glides, glitter-coated boots barely touching the ground. With French and English vocals trading off like old lovers, Zanagar delivers moments that throb with midnight energy and others that melt into whispery confessionals.
The production? Cinematic yet intimate. The emotions? Raw like a journal entry you weren’t supposed to read but can’t look away from. There’s even a moment that feels like reading your best friend’s soul while slow dancing in an abandoned disco. You’ll want to cry. You’ll want to vogue. You might even want to call someone you haven’t spoken to in years.
La Grande Salle isn’t just a room — it’s a universe with no walls.
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