Late Night Endless, released 9th February via On-U Sound / Tectonic Recordings is the first album by influential sonic pioneers Sherwood & Pinch and the culmination of two years in the studio developing, re-dubbing and deconstructing tracks. It finds the highest common factor between the two’s techniques, making it impossible to see where one musical personality ends and the other starts. It touches on the urban swing of UK garage on ‘Music Killer (Dub)’ and ‘Gimme Some More (Tight Like That)’, on interstellar nineties ambient dub on ‘Wild Birds Sing’, on the mystical minimalism of Pinch’s first releases on ‘Africa 138’.
2 limited edition 12” EPs released in 2013 – Bring Me Weed and Music Killer – preceded Late Night Endless, but it was being asked to deliver a live show for Sónar Tokyo in April 2013 that really put a rocket under the project. “We decided to have a whole studio on stage” says Adrian, “so that the mix truly is delivered live in a totally unique way that can never quite be done the same again. The result was triumphant, with even master of noise abuse Alec Empire [Atari Teenage Riot] watching agog from the side of the stage and broadcasting to the world what a revelation it had been.
"Games of Life" is Jeppediinho’s most ambitious and introspective project to date, a deeply personal…
With Fresh Air, Will Foulke proves himself a compelling storyteller through music. The track balances…
Iyla Elise’s “Ain’t Linear” arrives as a quietly assured meditation on love, resilience, and emotional…
Following OVAVA Music’s Traxsource Number 1 Melodic/Progressive House hit ‘Home’ by label founder Ollie Mundy, emerging global…
On 24th January, the legendary FAC51 The Haçienda returns to Bangkok to transform Ambience Space into a multi-room,…
Los Angeles-born composer and vocalist Vera Weber is quietly redefining the soundtrack of contemporary television.…