Late Night Endless, released 9th February via On-U Sound / Tectonic Recordings is the first album by influential sonic pioneers Sherwood & Pinch and the culmination of two years in the studio developing, re-dubbing and deconstructing tracks. It finds the highest common factor between the two’s techniques, making it impossible to see where one musical personality ends and the other starts. It touches on the urban swing of UK garage on ‘Music Killer (Dub)’ and ‘Gimme Some More (Tight Like That)’, on interstellar nineties ambient dub on ‘Wild Birds Sing’, on the mystical minimalism of Pinch’s first releases on ‘Africa 138’.
2 limited edition 12” EPs released in 2013 – Bring Me Weed and Music Killer – preceded Late Night Endless, but it was being asked to deliver a live show for Sónar Tokyo in April 2013 that really put a rocket under the project. “We decided to have a whole studio on stage” says Adrian, “so that the mix truly is delivered live in a totally unique way that can never quite be done the same again. The result was triumphant, with even master of noise abuse Alec Empire [Atari Teenage Riot] watching agog from the side of the stage and broadcasting to the world what a revelation it had been.
Just in time for Amsterdam Dance Event, NOS Recordings delivers “No Ones Safe ADE 2025”…
Truth Records proudly unveils a sonic throwback with Milyssa Rose, whose electrifying tribute to the…
There’s an immediacy to VIAA’s “Arson” that is impossible to ignore. The track opens with…
The Pacha ICONS series returns this October 2025 with techno titan Carl Cox followed by the likes…
Make Out Monday’s Back to the Feeling is a masterclass in balancing nostalgia with immediacy.…
Today marks the release of A Place To Call Home, the debut album from Utrecht-based…