Late Night Endless, released 9th February via On-U Sound / Tectonic Recordings is the first album by influential sonic pioneers Sherwood & Pinch and the culmination of two years in the studio developing, re-dubbing and deconstructing tracks. It finds the highest common factor between the two’s techniques, making it impossible to see where one musical personality ends and the other starts. It touches on the urban swing of UK garage on ‘Music Killer (Dub)’ and ‘Gimme Some More (Tight Like That)’, on interstellar nineties ambient dub on ‘Wild Birds Sing’, on the mystical minimalism of Pinch’s first releases on ‘Africa 138’.
2 limited edition 12” EPs released in 2013 – Bring Me Weed and Music Killer – preceded Late Night Endless, but it was being asked to deliver a live show for Sónar Tokyo in April 2013 that really put a rocket under the project. “We decided to have a whole studio on stage” says Adrian, “so that the mix truly is delivered live in a totally unique way that can never quite be done the same again. The result was triumphant, with even master of noise abuse Alec Empire [Atari Teenage Riot] watching agog from the side of the stage and broadcasting to the world what a revelation it had been.
Off the back of his recent legitimate behaviour ep, Australian producer/DJ HARLEY GIRL wastes no time diving into…
Fedde Le Grand returns to Toolroom with his new single Liquid Music. Nearly two decades…
Brighton's thriving nightlife is about to receive a dynamic addition to its cultural DNA. AMAAD…
Australian producer 44 Ardent is back with a gripping new single titled ‘Curtain Call’ – a song that almost…
Iceland Eclipse Festival: From August 12–15th 2026, some of the greatest minds in music, arts, science,…
Pressure, the debut collaborative album from mau from nowhere and hihi, is a daring exploration…