‘Pippon’, the title of this track expresses Alexander Robotnick’s and Lore J’s extreme intolerance to the names usually given to electronic music tracks, like ‘Morning Star’ to evoke music feelings, or some mysterious acronym or obscure numbers like ‘k451’, or some tentative description of music styles like “late-night-afro-punk” and so on.
Sick and tired with all that, they decided to go for a totally nonsensical title like ‘Pippon’.
The music is once again made up of different versions of progressive techno. Lore J's one (J Mix) develops in a decidedly progressive way, whilst Robotnick’s (R Mix) is more linear and static. The third version (Robo Cuts) is more dance-floor oriented and is the result of a post-production edit.
This December, the tropical paradise of Bali once again becomes the epicenter of global dance…
Toolroom welcomes Martin Ikin, alongside the unmistakable vocals of Hayley May back to the label.…
Perfect Havoc welcomes Manchester’s Bassline Club Vibes alongside New York’s own PS1 for the infectious…
British-Nigerian spoken word artist Temi T has unveiled her latest single, “Painted Intentions”, marking one of…
Neil Potter’s “Música El Idioma Del Amor” is like a sun-drenched road trip through sound.…
Mojo Morgan, GRAMMY-winning co-founder of Morgan Heritage, has launched his solo career with Jamaica Love…